Beyond the desk and fancy backdrop of the average TV studio broadcast, there is a set of giant cameras, each with a technician behind it, panning to follow movements on set. In the era of everyone-as-a-broadcaster, OBSBot’s Tail Air offers a way to achieve a bit of that high production value without the high production crew price tag.
I’ve reviewed a lot of technology over the years, always aiming to use it as intended. In the case of the OBSBot Tail 2, life had other ideas. What do you do with an action-ready, live streaming camera when you can barely move?