Ryan J. Pemberton writes:
Enter Mister Rogers’ Neighborhood. “We had a director who once said to me, ”˜If you take all of the elements that make good television, [and] you do the opposite, you have Mister Rogers’ Neighborhood,’” Margaret Whitmer, one of the show’s producers, shares in the 2018 documentary. “Low production value, simple set, unlikely star. Yet, it worked. Because he was saying something really important.”
Mister Rogers’ Neighborhood is so counter to almost everything we would say a children’s television program — much less TV in general — “should” be. The resurgence of interest over the course of the last two years via last year’s documentary and this year’s Tom Hanks-starring drama show that we often have a pretty poor sense of what “should” be.